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Nov 24:    Audio Interview with Natalie on "Roots Music Today" Wisconsin Public Radio
Nov 13:   
MacMaster Born To Fiddle
Nov 7:     
Natalie MacMaster Fan Gets Private Concert
Oct 6:      
Fiddling Sensation Natalie MacMaster Weds Fellow Musician Donnell Leahy
Sep 4:     
MacMaster Getting Used To Change
Jul 25:     
Whycocomagh Hosts Natalie's Only Summer Concert in Cape Breton
Jul 18:     
MacMaster, Celtic Crew play Sunday in Whycocomagh
Jun 3:      
An Interview with Natalie MacMaster
Jun 3:      
Natalie Interview/Spotlight on the Canadian Celtic Music site
May 31:   
MacMaster Concert Aids Kids
May 29:   
Hospital Set To Celebrate
May 11:   
MacMaster, Leahy warm up Marquee
May 9:     
Natalie Plays It Live
May 9:     
Engaging Recording
May 7:     
Natalie Engaged
Apr 11:    
Grammy Nominee MacMaster Takes Stage
Apr 8:      
MacMaster delights with high-energy fiddle
Apr 5:      
The Finest in Fiddling
Apr 5:      
Young fiddler already a veteran
Feb 6:      
Natalie is Entertainer Of The Year
Feb 4:      
Big Night For CB

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OLDER PRESS:   2004  |  2003  |  2002  |  2001  |  2000  |  1999

 

 

November 13, 2002
MacMaster Born To Fiddle
By Geri Parlin - LaCrosse Tribune, Wisconsin

Traditional Scottish music is so intertwined with life in Cape Breton, the part of Canada where MacMaster grew up, that you can't escape its influence, she said.

"If you had ever been to Cape Breton," she said, "you would understand". Traditional Scottish music was a part of her immediate family, extended family and the entire community.

"I was just sort of born into it," she said. "I was singing the old songs when I was 4, started dancing when I was 5, and I started fiddling when I was 9."

For MacMaster, the dancing and fiddling came together naturally.

"You can pretty much guarantee that every person (from Cape Breton) can do some sort of steps," she said. "I don't know why it's so strong there," she said. "It's more Scottish than Scottish music."

While some traditional Scottish music has been influenced by classical music, the Scottish music of Cape Breton has not. "Nothing is strong enough to change it. People just love it the way it is."

And some of the people who respond most enthusiastically to it live in the United States, she said.

Though they might not be as educated about traditional music as their neighbors to the north, Americans respond emotionally to the music, MacMaster said.

"Ignorance is bliss. Our best crowds are in the States, and I think that's because they hear something they haven't heard before. They don't understand it intellectually, but they understand it emotionally. As long as you feel it," she said, "that's all the understanding you need".

While MacMaster does fiddle and dance at the same time, she doesn't dance all night long.

"I do move around, and I feel the music with my whole body. Dancing and fiddling at the same time, it looks like it's very difficult, but it's just a thing you have to practice. As long as you concentrate," she said, "you can pull it off. If you concentrate on playing music well, dancing is second. People will hear the mistake in the music; they won't necessarily see the mistake in the dancing."

MacMaster said she is committed to performing Cape Breton music for the rest of her life.

"I always knew that I would be playing and that I would get a bit of income from that. I never imagined it would be my career. I was 20 before I realized this is all I'm going to be doing. Even when I went to teachers college, I wanted to continue the fiddling," she said.

So when she tires of fiddling, will she fall back on teaching?

"I don't think there's any chance at all of that happening," she said.

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November 7, 2002
Natalie MacMaster Fan Gets Private Concert
By M.D Drysdale - The Herald, Vermont
(photo by Jack Rowell)

Fiddling sensation Natalie MacMaster has spun her Cape Breton reels all over the world, but never has she had a more appreciative audience than she did Sunday afternoon in Apartment 306 at the Red Lion Inn in Randolph.

It wasn't her biggest audience, though. It consisted mainly of one person—Inez Rowell—and maybe some folks in the adjoining apartments who could hear through the walls.

MacMaster was in Randolph to perform a sold-out concert before 600 wildly cheering fans at Chandler Music Hall.

Two years ago, at an earlier Chandler concert, Inez Rowell was among the cheering throng, and she made a point of catching her show last year in Burlington. She's a true fan. This year, however, she couldn't make Natalie's concert.

"My mother's been very sick lately," explained Janet Rowell this week. "In and out of the hospital since August, mostly in. She just got out again on Friday."

Flash back to Chandler Music Hall, where Natalie was being interviewed by Reader's Digest Magazine. Afterwards, she fell into conversation with Jack Rowell, who has three photographs of her in the jacket of MacMaster's latest CD. Jack asked for an autograph for his mother, mentioned that she was a fan but couldn't make the concert.

"Well, where does she live?" the fiddling phenom asked. Just up the street, said Jack.

MacMaster quickly grabbed her bass player, John Chiasson, loaded into Jack's car and headed for the Red Lion Inn.

"Jack called me and told me that Natalie was coming to play for me," Inez Rowell recalled this week. Her response was predictable: "Yeah - sure she is."

But indeed she was. "I brought my fiddle," she told Inez when she entered the cozy apartment. She quickly got it out and played about five songs.

She didn't do her patented step-dancing, but her feet "were never still," Inez recounted. "The people below me must have wondered what was going on!"

"It was just very nice of her," she marveled.

"That visit was the greatest therapy or medicine my mother could have received," said her daughter Janet. In return, Natalie received one of the knitted hats that Inez makes, and she put it on for another photograph.

You can bet it looked good on her.

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October 06, 2002
Fiddling Sensation Natalie MacMaster 
Weds Fellow Musician Donnell Leahy
Marla Cranston - Halifax Daily News

CREIGNISH, N.S. - Blustery winds and brooding Cape Breton skies didn't stop Natalie MacMaster from beaming with joy on her way into church Saturday.

Breathtaking in her strapless gown and clutching a bouquet of red roses, Nova Scotia's most celebrated fiddler stepped quickly past a windswept gathering of well-wishers and reporters into the historic Stella Maris church in Creignish just up the road from her childhood home of Troy.

About 250 guests packed the candlelit church, and many had travelled from the Lakefield, Ont., headquarters of the internationally acclaimed Leahy clan.

MacMaster's marriage to fellow fiddling sensation Donnell Leahy unites two famous musical families, and relatives of the bride and groom handled much of the music at the traditional Roman Catholic ceremony.

Joining the bride's uncle Buddy MacMaster, her Beaton kin and famous U.S. fiddler Mark O'Connor were Leahy sisters Erin, Maria and Jennifer, along with many other local musicians.

"We had a party a couple of nights ago, the first meeting of the two families for some of them that hadn't met yet," MacMaster told reporters after the ceremony.

"It was just amazing how the two families are very similar," she said.

"Both crazy!" interjected Leahy, who still seemed a bit flustered by all the commotion.

"Yeah, both crazy," giggled MacMaster, 30. "Full of music and just, you know, a very seamless blend. It was beautiful."

When asked to kiss for the cameras, her handsome new hubby balked at first.

"Oh, we'll save that for later, won't we? I had to do it once. I'm shy!" he protested.

But he complied, giving his bride a fast smooch while the lightbulbs flashed.

Leahy grew up with 10 siblings on a farm settled by Irish ancestors in 1825. Their father taught the brood to play fiddle, while his Cape Breton mother Julie passed on her singing and stepdancing skills.

The family band exploded onto the Celtic music scene in 1997 with its hit song The Call to Dance, and went on to win Junos, crack the Billboard world music charts and tour with Shania Twain.

It's a fairy-tale match for the vivacious MacMaster, whose hard work and talent have earned her two Junos, 11 ECMAs and last year's Grammy nomination.

The hard-touring couple plans to live in Lakefield, near Peterborough, Ont., but plan to eventually build a second home in Cape Breton, said MacMaster.

Above Photo:   Natalie MacMaster and Donnell Leahy leave the Stella Maris church in Creignish, N.S. Saturday. The Cape Breton fiddling star walked down the aisle of Stella Maris Church to marry another fiddler, Donnell Leahy, front man of the band Leahy. (CP/Halifax Daily News-Darrell Oake)

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September 4, 2002
MacMaster Getting Used To Change
By Lisa Walton - Calgary Sun

The affable East Coast fiddling talent has not only changed her management after eight years, but she's also changing her address.

"I'm moving to Ontario," says MacMaster, now engaged to long-time boyfriend Donnell Leahy, frontman of the family Celtic group, Leahy.

Though miles away from her native Cape Breton, the singer-musician says she is looking forward to making the move westward.

"I'm not scared at all," she says.

It's not like MacMaster is at home much as it is.

Once declared the hardest-working woman in Canadian music for being on the road almost 250 days a year, she has cut down her road time to a busy, yet manageable 150 days.

"It makes a huge difference," says MacMaster, who will perform at the Jack Singer Concert Hall with the Calgary Philharmonic Orchestra on Sept. 10.

"This summer was really good. We basically just worked weekends."

Last year, MacMaster won a CCMA for outstanding roots music artist and is nominated in the same category this year.

Although flattered, MacMaster doesn't want to focus all her energy on it.

"I try not to put too much emphasis on awards, because then you set yourself up for disappointment," she says.

"But it's a great bonus."

MacMaster's latest release, the two-disc Natalie MacMaster Live, was released in May.

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July 2002
Whycocomagh Hosts Natalie's Only Summer Concert in Cape Breton

by Frank Macdonald - Inverness Oran

Between her Saturday night concert in Philadelphia and the Argos football game in Toronto where she was scheduled to play, she barely had time for a quick cup of tea and a ceilidh with a few friends in Whycocomagh before packing up her fiddle and heading for Halifax to catch a flight to Toronto.

The Whycocomagh concert, marking the close of the Whycocomagh Summer Festival, was touch and go for organizers. 

On Sunday morning, as Burton MacIntyre came in from church, his phone was ringing. It was Natalie MacMaster. "Are you sitting down, Burton?" she asked him, before going on to explain that her flight out of Philadelphia had been turned back because of mechanical difficulties, and she doubted if she could get to Whycocomagh in time to perform.

The concert had been sold out with a third of the audience coming from as far off as the United States. Burton was worried, and Natalie MacMaster said she would do what she could, but for certain she couldn't be there before 10:00 p.m. MacIntyre met patrons at the door, telling them of the lengthy delay.

Meanwhile, back in Philadelphia and places en route, things continued to disintegrate for MacMaster's travel plans. They arrived at the Halifax airport to discover that their luggage and the music equipment belonging to her band members had all gone astray.

Finally, after the crowd had been entertained by a superior performance by the Celtic Crew, Burton MacIntyre stepped up on the stage and announced, "Natalie is in the building!" He also noted that despite the delay in the concert only one person had canceled his ticket and that was reluctantly because he had to catch a flight -- hopefully a more receptive one than Natalie experienced.

At 10:45 Natalie MacMaster took the stage with two hours' sleep in the past 24.

"The best part of it all," she told the audience and pulling up the legs of her slacks, "is I'm wearing Burton MacIntyre's socks. I'm going to dance good tonight! But what I want to ask is, what are you people doing up at this hour?"

Photo Credit: (Inverness Oran) "Just Perfect". Those were the words Natalie MacMaster used to describe what it was like to have step-dance great Harvey MacKinnon dancing to her music.

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July 18, 2002
MacMaster, Celtic Crew Play Sunday in Whycocomagh
By Pat MacIsaac - Halifax Herald

Whycocomagh - Cape Breton fiddling sensation Natalie MacMaster will take to the stage this Sunday to close out the 30th annual Whycocomagh Summer Festival.

The Grammy-nominated native of Troy will share the stage with Inverness County's Celtic Crew, a group of teenage musicians who also accompanied Raylene Rankin for her hometown show in Mabou late last month. Festival organizer Burton MacIntyre said the presence of the two acts together in this year's lineup is no coincidence.

"We thought this would be a good way to celebrate 30 years," said MacIntyre, who's been the festival's head organizer since its inception.

"We thought it would make a nice treat for festival-goers to see Natalie and these young musicians performing together," he said. "One of the area's biggest musical stars, and some kids who may very well be among the next stars the area will produce.

"Also, we wanted (someone with) a strong history within the festival itself. Natalie has played here, as part of the summer festival, many times ... right back to when she was just a kid. Her uncle Buddy was one of the performers at the first festival 30 years ago."

MacMaster said her decision to play this year's closing concert had much to do with the fact that this will be the last festival organized by MacIntyre, who wants to open the door for "new blood and new ideas."

"He's a fine person and he's always been good to me," MacMaster said. "I have a lot of great memories from performing there, and that has a lot to do with him. I admire and respect him for what he's done for the community, and I'm happy to support him and the festival this year."

The Natalie MacMaster and Celtic Crew concert begins at 7:30 pm. Sunday at the Whycocomagh Education Centre. Admission is $15.

The Celtic Crew includes young musicians Calum MacKenzie, Shonneth MacInnis, Rankin MacInnis, Tara Rankin, Kimberly Gillis, Stephanie MacDonald, Kerri-Jeanne MacLellan, Margie Beaton and Molly Rankin.Though the Whycocomagh Summer Festival began this past Saturday with an opening concert featuring the Men of the Deeps, there's still lots in store for music lovers.

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June 3, 2002
An Interview with Natalie MacMaster
By Carla Gillis, Atlantic Zone

You know her. You love her. She's the queen of the fiddle and can dance a mean jig step. What more could you want in a bonny blond lassie? Natalie MacMaster took time out of her busy recording and touring schedule (she's promoting a new album, Natalie MacMaster Live) to talk to me about Michael Jackson, Swiss army watches, and the demise of paper mills. I even got to personally congratulate her on her recent engagement to Leahy dancer, Donnell.

Where are you right now?
I am in Toronto.

What are your current fixations? 
This is what I'm trying to learn about my life - that there's something other than music out there. What do I like? Chocolate.

Name your favourite cause to rally behind. 
Abortion. I should clarify that. Abortion meaning anti-abortion.

What's your favourite song of all time?
I was a big Michael Jackson freak in his Thriller days. Billie Jean, probably.

And your favourite book? 
The Bible.

What has given you the most inspiration during the last 24 hours? 
Oh, you're good. These are good questions. Nature, the trees. I'm out in the countryside and I went for a walk on this nice little dirt road yesterday. Big fields and big trees and this big dirt road with the sun was shining.

Which traits do you like and dislike most about yourself? 
When I get angry it doesn't last long. And I desire to be happy. That may sound stupid. I try to find the good in things and try to stay positive. The downfalls are that I'm impatient, in a bad way. And I'm a bit scattered.

When you think of Atlantic Canada you think of... 
I'm sorry but I immediately think of Cape Breton...fish and music.

Name your career highs and lows. 
My career high would be the Grammy nomination. Lows? That fear when you're in the studio, which I just was last week, that fear of it not working out. Mind you, it only lasted for about an hour, but that was a bad hour.

If you weren't a musician, what would you be? 
I would be in the music business in some way. I'd be involved with a record company or a management team. Actually, no. I wouldn't be any of those things. I'd be a teacher.

Where is your favourite place in the world. 
Cape Breton. Outside of home, I'd say Rome, Italy.

What's the last thing you bought. 
A watch, Swiss army.

Tell me about a hometown issue you'd most like to see resolved. 
The pulp and paper mill where my family work. They've been talking about closing it and, of course, we don't want them to close it. That would be the number one thing for me. If I could get security and confidence in knowing that they weren't going to close it, I'd be happy. It's in Port Hawkesbury and my brothers work there. My Dad worked there.

What's the best thing about being a Maritimer? 
Always having that connection. No matter where you go there's that bond between Maritimers. It's been proven a million times over. They're all over the place, they're proud and just awesome and supportive.

On whom do you depend most and why? 
Probably my family. It's a quiet dependence. My mom in particular. And my manager too. It's a toss-up. My manager will hopefully be for life, but my mom definitely will be for life. And that is something that I can always lean on or go back to.

Carla Gillis is a freelance writer and musician living in Halifax, Nova Scotia. She writes regularly for Halifax's weekly newspaper, The Coast, including a musician's advice column in Reverb, and often succumbs to the lure of dark bars, squishy vans, and Canadian highways.

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May 31, 2002
MacMaster Concert Aids Kids
Cape Breton fiddling sensation Natalie MacMaster brings a taste of the East Coast to Centennial Hall tonight as part of a Children's Miracle Network hospital fundraiser.
by Paul Vanderhoeven - London Free Press

The two-time Juno winner and Grammy nominee has been busy lately. She released a new double CD called Natalie MacMaster Live in early May and was recently engaged to fellow fiddler Donnell Leahy, who, with his eight brothers and sisters, make up the group Leahy.

MacMaster, who is a celebrity spokesperson for the international hospital charity, said she's never too busy to help them out.

"Anything for the Children's Miracle Network -- they are just an incredible organization," MacMaster said.

"There's just so much good stuff going on with the Children's Miracle Network and it just moves the heart."

MacMaster's new live CD is a bit of a departure for the artist who felt she produced her best music in the studio.

"It's not that I wasn't happy with the way I played live. I am totally comfortable with how I play live," she said. "It's just that I always prefer my studio performance."

She said when she plays live she is jumping around, laughing and step-dancing.

"You just don't have the control you have in the studio and I am kind of fussy about my music."

But she said everything came together perfectly for this CD. She had great venues at the Living Arts Centre in Mississauga, Ont. and Glencoe Mill Hall in Cape Breton and her band was on fire. 

"They were definitely big nights for us and we could feel it," she said. 

"The spirit and the energy is obvious, which is a hard thing to get in the studio, but it happens naturally on stage."

MacMaster just finished recording a new CD in Nashville, which she said will also be a bit of a change. "It has some bluegrass overtones, but it is mostly my stuff," she said. "I am extremely excited. It's a new thing and I don't think it's been done before."

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May 29, 2002
Hospital set to celebrate
Natalie MacMaster performs Friday in a benefit for the
Children's Hospital of Western Ontario Foundation
London Free Press

Double Juno-winning fiddle star Natalie MacMaster is expected to arrive in London for a Friday night concert shining a little brighter than usual.

These days, MacMaster is sporting a sparkling diamond ring on her left hand.

That follows the recent announcement of her engagement to Donnell Leahy, a fellow fiddler and frontman of the Canadian Celtic-flavoured group Leahy. But other than saying she couldn't imagine a better person to marry, MacMaster has not been supplying much information about the impending nuptials.

"If you don't mind," she says apologetically, "we'd like to keep the personal and business separate. This is the biggest event in my life. It's very dear to me and him and we just want to keep this for us. Let me just tell you though, that everything is great and beautiful!"

No wedding date has been announced, but MacMaster has posted a notice on her Web site thanking her fans for their kind words following the announcement.

"One of these days, we're going to sit down and talk this through," she says of setting a date when both performers' schedules are assessed.

MacMaster plays Centennial Hall on Friday night in a benefit for the Children's Hospital of Western Ontario Foundation. She is touring to support her new two-CD set simply called Live. The first disc was recorded in concert at the Living Arts Centre in Mississauga, the second at a square dance at Glencoe Mills Hall in Cape Breton.

The benefit concert kicks off a "Celebration Weekend," including free, outdoor events on the hospital grounds and a telethon.

"This is our largest event to celebrate fundraising achievements . . . the miracle of children . . . and to continue to raise money for child health care and research," says Deb Comuzzi, executive director of the hospital foundation.

Hours at the hospital grounds are Saturday and Sunday, 9 a.m. to 5 p.m. The outdoor events at the celebration site -- the southeast corner of Commissioners and Wellington roads -- include free performances by Canadian children's entertainers, the St. Willibrord Teddy Bear hospital for ailing stuffed toy animals, science exhibitions and more.

Saturday, at noon, Molly the doll and Loonette the clown from The Big Comfy Couch show are on hand. On Sunday, at 2 p.m., it's singer and multi-instrumentalist Eric Nagler, the Shelburne children's entertainer.

Nagler's parents wanted him to be a doctor, but at 14, he taught himself how to play the banjo after he heard a friend's brother on the instrument.

"My heart was too filled with banjo music for me to concentrate very well on biology," Nagler says.

Meanwhile, the telethon airs, as it has for all previous 16 years, on the NewPL. The 17th edition of the telethon goes on Saturday (6:30 p.m. to 11 p.m.) and Sunday (noon to 6:30 p.m.)

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May 11, 2002
MacMaster, Leahy warm up Marquee
By Marla Cranston - Halifax Daily News

Donnell Leahy's going to do just fine fitting in to Nova Scotia. Though his style of fiddling isn't quite what we're used to here, he'll get the hang of it with fiance Natalie MacMaster's guidance.

Less than a week after he popped the big question in Cape Breton, Nat hauled her new hunk onstage for a tune at her Halifax record launch Thursday, handing over her fiddle to accompany him on the keyboard. The packed Marquee Club was transfixed by the unexpected treat.

"Whoopee!" MacMaster yelped after their spirited duet, glad her friends, family and fans seemed to approve of the match.

But she quickly changed the subject: "Now that there's a thing in the room, it's time for some square dancing! Four couples to a set!"

With MacMaster's infectious primal energy, you'd swear the Gottingen Street club (her first rock club show in Canada) was beamed up to Glencoe Mills - piper Matt MacIsaac joined in, Jerry Deveaux climbed onstage with his spoons, and you had to get out of the way or risk getting trampled on the dance floor.

"Oh, you're all warmed up now!" MacMaster grinned at the crowd. Remind me not to wear a turtleneck next time Nat comes to town.

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May 9, 2002
Natalie Plays It Live
MacMaster Has Lots To Celebrate At Tonight's CD Launch
Stephen Cooke, Halifax Herald

What's round and metallic and shiny and makes Natalie MacMaster very excited?

Up until a week ago, if you'd said her upcoming double live CD, you'd have been right. But this week the Cape Breton musician famous for her golden ringlets got a gold ring from fiance Donnell Leahy, a fellow fiddler, from the Ontario family folk group Leahy.

After an eventful weekend, MacMaster's coming back down out of the clouds to launch Natalie MacMaster Live with a special show tonight at The Marquee Club in Halifax. The record hits store shelves on Tuesday which, in her true mile-a-minute fashion, is the same day the Troy fiddler goes into the studio in Nashville to begin recording her next studio disc.

In fact, the upcoming Nashville sessions, with producer Darol Anger - a fellow fiddler who has featured MacMaster on his own records - were supposed to result in her follow-up to her last CD, the traditional My Roots are Showing. A live recording was never high on her agenda, despite the success of her concerts and a worldwide reputation as a high-energy entertainer whose performances are a wonder to behold.

"It's something I NEVER wanted to do," maintains MacMaster. "I always thought, 'No, never.' And people requested it all the time. But I was never happy with the way I played, and I'd listen to soundboard tapes and think that I'd never make a live CD.

"I just wasn't pleased with how it used to come across on the recording. We had no intention of doing this, but when I listened to the music from the TV show, I thought the band sounded really good and there was a really good fiddle sound, and I was very impressed. Before that, I thought the only good fiddle sound was with a microphone in the studio."

Natalie MacMaster Live was culled from a pair of performances, a concert with her touring band recorded at the Living Arts Centre in Mississauga, Ont. for CBC-TV and a village dance in Glencoe, Cape Breton, with pianist Joel Chaisson and guitarist Dave MacIsaac. There are also plans to release a VHS/DVD version in the fall with footage from those shows. 

Somehow, everything clicked on that night in Mississauga - the right room, the band was on fire, MacMaster was caught up in the music - in order for the notorious perfectionist to change her mind.

"I thought 'My gosh, maybe we should talk about maybe doing a live CD' and as soon I mentioned that, whoosh, the gates opened and the record companies said 'Yeah!' and it became part of the whole shebang.

"Ironically, the one who did not want to do it, wound up wanting to do it the most."

While the first disc is the kind of show Natalie takes out on the road, a full-band extravaganza, the second is a more downhome affair. A subtitle for the set could be Two Sides of Natalie MacMaster, with the flipside being the Glencoe Mills dance, with the ECMA 2001 Entertainer of the Year shedding the show biz to tear into a bunch of tunes with two of her favourite sidemen, Chaisson and MacIsaac.

"It's great being able to do both, and they're two total opposite ends of the spectrum," she says. "And doing one makes you love doing the other even more. You just flip-flop back and forth.

"You play a square dance and that's great, and it makes you appreciate all the touring stuff. Then you go on tour, and you can't wait to play another square dance."

Keen-eared fans who saw footage of MacMaster playing a dance on her TV special may notice that the second disc is from a different evening altogether. It's the full recording of the dance that was featured at the end of My Roots Are Showing in a duet between her and her uncle Buddy MacMaster taped in 1997. 

"The recording from the TV show didn't have the same ambience," she explains. "It sounded better, the quality of the instruments was better, but it didn't have the same feel. The one from '97 was recorded quickly, just two mics, but the difference was night and day for me.

"I wanted to capture the feel of Glencoe, and at the cost of the fiddle maybe not sounding as clear as the other one or the piano sounding as nice, this is what it is. This is much more representative of Glencoe."

As for playing with her uncle, duetting with the Order of Canada member and former railroad man is one of the most natural things in the world, like it's part of their genetic code.

"Buddy's very easy to play with," she says. "A lot of fiddlers, in order to make it sound good together, you have to conform a little bit to their style. You're trying to make it sound good.

"With Buddy, I just play the way I play and it just blends. I think it's because I've listened to him so much over the years, and I have a lot of similarities with regards to rhythm and bowing. When we sit down to play together, my mom always gets a kick out of it and she'll say 'Your bows are going the same way!' That's actually pretty rare."

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May 09, 2002
Engaging Recording
Diamond ring in hand, Natalie MacMaster is promoting a new 'vibe'-filled live CD
By Marilyn Smulders, Halifax Daily News

It's a whirlwind with Natalie MacMaster in the centre. Amidst constant touring and preparations for her new double album, the vivacious young fiddler quietly got engaged last weekend in Cape Breton.

The lucky guy is none other than that other fiddling sensation - Donnell Leahy, fiddler for the family band Leahy. At least MacMaster will have no shortage of bridesmaids - the 33-year-old Leahy has five sisters who play in the band.

But setting a date is another matter: "There's a lot of details and schedules to juggle; it's all been crazy," says MacMaster, 29, with a sigh. She's on the phone from Toronto where she's playing at a private event before heading to Halifax for tonight's CD launch at the Marquee Club.

Perhaps Nova Scotia's hardest-working musician, MacMaster and her band (Matt MacIsaac, Miche Pouliot, Allan Dewar, John Chiasson, Brad Davidge) tour ceaselessly, booked up to 150 dates a year. This month, for example, she'll play in Toronto, Halifax, St. John's, Nfld., and London, Ont., with 10 days set aside mid-month for a recording session in Nashville. And Leahy, too, has concerts booked from now to Christmas.

"One of these days, we're going to sit down and talk this through," says MacMaster, who wears a sparkling diamond ring on her left hand.

But other than saying she couldn't imagine a better person to marry, MacMaster doesn't supply much information about Donnell or their engagement. But she laughs when asked who's the better fiddler.

"We're both good," says MacMaster diplomatically, "we're just different."

"If you don't mind," she continues apologetically, "we'd like to keep the personal and business separate. This is the biggest event in my life. It's very dear to me and him and we just want to keep this for us. Let me just tell you though, that everything is great and beautiful!"

On to other matters: MacMaster never thought she'd do a live album but here she is, with a two-CD set simply called Live. The first disc was recorded live in concert at the Living Arts Centre in Mississauga, Ont., the second at a square dance at Glencoe Mills Hall in Cape Breton. But MacMaster - who has two Junos, 11 ECMAs, including entertainer of the year, and a Grammy nomination - has never been satisfied with her live performances.

"I never could imagine having one put down forever on a recording," she says. "Oh, my goodness, there's too many mistakes. Other people can't hear them, but I can. I'm much happier with what comes out of a studio - a much more controlled environment."

Nevertheless, MacMaster changed her mind when listening to what was recorded for her hour-long TV special, My Roots Are Showing, which aired last Christmas on CBC. That, along with a recording of a square dance made back in 1997, would make a pretty nice package, she decided.

"I've had a few dances taped since then, but they didn't have the character or the feel or the groove of this one," says MacMaster. Originally recorded to capture MacMaster playing with her uncle, the great Buddy MacMaster, this recording of traditional jigs, strathspeys and reels is absolutely charming, complete with foot stomping, clapping and hooting.

"I thought it really captured what it was like to go to the Glencoe Mills Hall - the people streaming in, the rhythm of the night. I think the whole vibe really comes across."

But while she isn't crazy about recordings of her live performances, MacMaster says she lives for the stage. When she plays for an audience, whether in a packed concert auditorium or at a square dance, she smiles - a beautiful wide smile perched over the mahogany of her 1927 fiddle. Often her eyes close in concentration and her blonde curls bounce as her feet keep up with the beat. She first played before an audience when she was just 10 years old, a young girl from Troy, Inverness Co., who had just picked up a fiddle the year before.

"You just feel so alive. The energy is flowing. I feel like I could leap over the moon."

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May 7, 2002
Natalie Engaged

By Laurel Munroe, Cape Breton Post

It's a match made in Celtic music heaven.

Cape Breton's Queen of the Fiddle, Natalie MacMaster, is engaged to be married to fellow fiddler Donnell Leahy, frontman of the internationally-acclaimed family band Leahy. The news came in a press release from MacMaster's management company, ABC Entertainment, late Monday afternoon.

MacMaster, 29, and Leahy, 33, were engaged on the weekend while visiting MacMaster's family in Troy, Inverness Co.

"They have known each other for over 10 years and have been seeing each other for some time," said the release. "Both families are very thrilled and very excited."

No wedding date has been set.

Leahy, a group of nine brothers and sisters from Lakefield, Ont., burst onto the Canadian music scene in 1997 with the release of their self-titled CD, which achieved platinum status in Canada, reached No. 4 on the Billboard world music charts and earned the group two Juno Awards. Their mother, Julia, was born and raised in Cape Breton and they still have family here.

MacMaster wasn't available for comment Monday but she spoke to the Cape Breton Post last week about the upcoming release of her first live album, Natalie MacMaster Live.

"I always said I'd never release a live album," she said from Toronto, before heading to Troy and the home of her parents, Minnie and Alex.

"People have certainly requested it over the years but I never thought I could do it and have it sound good."

MacMaster changed her tune last July, when she watched the footage from her performance at the Living Arts Centre in Mississauga, Ont. The show was the basis for an hour-long CBC-TV special, My Roots Are Showing, which aired in December.

"When I saw that footage, I thought 'Wow, I'm really liking the sound of this,'" she said. "The band played really, really well and it just sounded great."

The innovative and instrumentally-diverse material from the show became disc one of Natalie MacMaster Live, which hits record stores next Tuesday. Disc two is purely traditional, featuring several tunes recorded at a 1997 square dance in Glencoe Mills, Inverness Co. 

"I have two worlds to satisfy," MacMaster noted, referencing her mainstream and traditional fans.

"I thought people from home would really appreciate (the Glencoe dance)." MacMaster hopes the double CD captures the essence of her live performances. 

"The spirit and energy is obvious," she said. "And that's one hard thing to get in the studio. It happens naturally on stage because you only get one crack at it."

Coincidentally, the day Natalie MacMaster Live is released to the public, she will begin working on her next studio album in Nashville, Tenn. The project will be produced by Darol Anger, a fiddler MacMaster met about eight years ago while teaching at Mark O'Connor's fiddle camp in the U.S. 

And despite what you may have heard, it is not going to be a bluegrass album. "That was in the papers; I'm not sure where it came from," MacMaster said. "It'll be me, playing my stuff, traditional stuff."

The unique twist will come via the arrangements, the instruments and the musicians, including session players from the Nashville area and at least a couple of players from Cape Breton.

MacMaster is a longtime supporter of the Canadian Catholic Organization for Development and Peace, one of the country's leading international development agencies. Recently, she took on another cause, when she became celebrity spokesperson for the Children's Miracle Network, an international non-profit organization dedicated to helping children by raising funds and awareness for children's hospitals.

She gets many requests from organizations looking for her help, but admitted, "you just can't do everything you'd like to do." "The Miracle Network is such a great organization. They do so much good work and they've saved so many children's lives by buying medical equipment for hospitals."

Not long ago, MacMaster spent a weekend at Disney World in Florida with a dozen children who have benefited from the network's help. "It was just so wonderful for me to meet kids who have been helped," she said. "You feel so lucky as an entertainer . . . to be able to help people is a real blessing."

MacMaster has scaled down her touring schedule over the last few years, from 250 dates four years ago to 150 this year. 

"I can feel the difference," she said. "It's more comfortable. But I could still cut a few more out." And with a wedding in her future, she just might.

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April 11, 2002
Grammy Nominee MacMaster Takes Stage
By Tom Paulu - Longview Daily News, WA

Dancing and playing the violin at the same time is an unusual combination, but Natalie MacMaster is likely to demonstrate both her nimble fingers and fast feet at the Columbia Theatre for the Performing Arts Sunday.

MacMaster has taken traditional Celtic fiddle playing and added a pop sensibility -- some of her tunes include keyboards and rock drum sets.

The combination has worked well for MacMaster, 29, who has been touring off and on in the past dozen years. She has released six albums and last year was nominated for a Grammy Award for Best Traditional Folk Album.

She's currently on a string of 14 shows in 16 nights, ranging from Alaska to Arizona, and reportedly does about 100 shows a year. Not surprisingly, she couldn't be reached for an interview. But in a recent appearance on Canadian TV, she described her shows as "basically like taking some of the music from home and putting it on stage."

Home for MacMaster is Cape Breton Island, the northern part of Nova Scotia. Nova Scotia's tourism promoters call that area the Ceilidh (kay-lee) Trail. Ceilidh is Gaelic for party or gathering, and it's a place of Scottish traditions.

MacMaster's uncle was a well known fiddler in those parts, and she took up violin at age 9. She should feel at home in Longview -- her father is a retired pulp mill worker. Her Web site has a homey feel, with a recipe section that includes " 'Natalie's Favorite Tweed Squares' " by Minnie MacMaster (Natalie's Mom)."

Though MacMaster grew up fiddling for family functions, she isn't a purist.

Some of her recordings include instruments you wouldn't find in Scottish pubs from days past, such as keyboards and percussion. Her current band has a guitarist, bass player, keyboards and drummer -- and a man named MacIsaac who plays bagpipes and whistles.

MacMaster's 2000 album "In My Hands" included bluegrass diva Alison Krauss on one song and a whispery MacMaster on the techno-pop title song (she doesn't sing outright). However, on other albums she whips out plenty of traditional reels, jigs and strathspeys.

And, yes, she dances. "It's really hard to dance and fiddle at the same time," she told the Los Angeles Times a year ago. But by now, audiences expect it.

"Any time I haven't done it I've heard about it," she said.

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April 8, 2002
MacMaster delights with high-energy fiddle
By S.L. Guthrie - Anchorage Daily News, Alaska

During Natalie MacMaster's sold-out show Friday night at the Atwood Concert Hall, the fiddle wizard warned that a fight would break out soon after the start of intermission. The reason? The mad dash down to the table to buy CDs. Though MacMaster was only joking, she was right. Not about the fight but about the audience's fervor to get a souvenir of the evening's entertainment.

What made the evening so special wasn't just MacMaster's high caliber talent. The opening series of tunes took care of demonstrating that. When she came to the microphone, MacMaster offered an adorable Meg Ryan-like quality in her banter that completely captured the sold-out crowd's hearts. You could hear a bit of an Irish lilt in her Canadian accent as she quipped a number would be in the key of "eh?"

MacMaster and her band, which included Brad Davidge on guitar, John Chiasson on bass, Allan Dewar on keyboards, Matt MacIssac on bagpipes and Miche Pouliot on drums, performed enough melodies from her Cape Breton roots to keep the traditionalists happy.

She also ventured into new territory. The tune trio of "Sorrento," "Benjamin," written by pop icon James Taylor for his son, and "Flamenco Fling" displayed the band's versatility. Davidge and Chiasson shined in the latter piece. Chiasson also gave a pleasing vocal in the lament "Get Me Through December," with MacMaster and Davidge singing backup. 

Locals got an extra treat when Anchorage grown Owen Barrington came out to do a little step dancing in "To the Kitchen." Not to be outdone, MacMaster was no slouch herself in the foot frenzy. She bounced and twirled her way around the stage, and for the finale, slid through a retro-style moonwalk.

The show's encore featured a duel between Davidge on electric guitar and MacIssac's bagpipes. This culminated in the pair, along with MacMaster and Chiasson, playing their fingers off while doing robot-like high kicks. If Hollywood is ever looking for a successor to Meg Ryan, it need go no further than Nova Scotia.

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April 5, 2002
Young Fiddler Already a Veteran
Natalie MacMaster Has Been Performing Since She Was 9
by Bill Compton - The Olympian, WA

You will see her striking image on nearly every other page of the official Nova Scotia tour guide. Across Canada, you will see her in television commercials for Tim Horton's donuts and General Motors Pontiac. 

But Saturday night you can see Natalie MacMaster work her musical magic in Olympia. The vivacious Cape Breton native will bring her merging of traditional tunes with contemporary arrangements to the stage of the Washington Center for the first time since 1995.

At the age of 28, MacMaster is a near 20-year veteran of performance music. She began playing when she was 9 and was touring Canada at 13.

Legendary Cape Breton fiddler Buddy MacMaster, her great uncle, instructed her in the reels, hornpipes and strathspeys that grew out of the intertwining of Scottish, Irish, and French Canadian traditions on Cape Breton Island.

Like many traditional fiddlers, MacMaster grew up with tunes in her head. Home was the village of Troy, just down the road from Inverness, the epicenter of Cape Breton's "Ceilidh Trail" of music.

As she told the Intelligencer-Record (Doylestown, Penn.) last year, "I played by ear and took lessons for a few years, but I did a lot of my learning simply by listening to old recordings by myself and playing along. My mom would play recordings of traditional Cape Breton music as I went to sleep, and my dreams were musical."

With her movie star looks and athletic dancing, those dreams transform stages around the world into sheer entertainment for music lovers. But MacMaster shows an astuteness for the business side of music as well. Though she tells with enthusiasm stories of playing in schools and at dances in Cape Breton as a teen-ager, she has not shied away from making crossover music that merges 200-year-old traditional dance tunes with the electrified instrumentation of guitars, keyboards and percussion.

Her fourth album, 2000's "In My Hands," won a Juno Award (Canada's equivalent of the Grammy) for Best Instrumental Album.

The album followed the inclusionary model of the Chieftains' giant international hit "Long Black Veil" in 1994. Along with traditional tunes, "In My Hands" incorporated Latin rhythms and a radio friendly techno-pop title song featuring a whispery MacMaster. Guest artists included Nashville's Mark O'Connor, Irish accordionist Sharon Shannon and singer Allison Krauss.

MacMaster knows that a pure diet of Cape Breton tunes will not sell as many albums, nor will it fill the seats in larger venues.

Three year ago MacMaster turned down an opportunity to be featured fiddler with a Michael Flatley show; she preferred building a career the old-fashioned way. That meant MacMaster was playing more than 250 dates a year.

Her schedule has lightened with her continuing success and ability to fill larger venues. She performs about 100 dates a year.

Her shows are punctuated by her trademark simultaneous step dancing and fiddle playing later in the show. Audiences have come to expect that, and MacMaster is realistic about it.

"It's more for the sake of the show," she told the Los Angeles Times last May. "It's really hard to dance and fiddle at the same time. But it's not as comfortable as dancing without the fiddle, and I only put it in because I know the crowd loves it. Any time I haven't done it I've heard about it."

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April 5, 2002
The Finest in Fiddling
By Christene Meyers - Billings Gazette, MT

Get the toes tapping. You might find yourself dancing in the aisles.

International fiddling sensation Natalie MacMaster will perform at the Alberta Bair Theater, next Tuesday, April 9, at 7:30 p.m.

You don't have to be Irish to understand her connection with some of the fiddle's most enduring and energetic tunes.

With six albums and numerous Grammy nominations, this 28-year old Cape Breton, Nova Scotia, musician is storming the world with her energetic playing and lithe dancing.

"Her awesome musicianship, captivating personality and charming stage presence make for the total entertainment package," says ABT marketing director Corby Skinner. "She just has to be heard and seen to be believed."

Concert promoters expect a sellout when the beautiful and versatile musician takes center stage.

Skinner says MacMaster has unique appeal because of her cross-over abilities. "She's truly a Celtic performer who is making it in the larger pop music market," he says.

On a recent bill in Los Angeles at the famed Hollywood Bowl, Macmaster and the Irish bands, altan and Lunasa sold out the 12,000 seats.

As early as age 9, MacMaster was keeping time learning traditional fiddle music. She had hearty encouragement from her parents and the influence of her uncle, Cape Breton's fiddle playing sensation Buddy MacMaster.

In 15 years, MacMaster has gone from performing at local dance halls to bringing down the house in theaters around the world, including recent performances with The Chieftains at the Hollywood Bowl and at a MusiCares benefit during Grammy Week in New York City.

In 1997 she was nominated for a Juno Award, which is Canada's Grammy, and earned aCanadian Country Music Award as "Fiddler of the Year."

She has toured the U.S., Europe and Asia and has performed for dignitaries, politicians and fans of Celtic music worldwide. Her recordings will be for sale next week and include "A Compilation," which has tracks from her first two popular albums.

Entertainment Weekly raved about the release, calling it "gorgeously played - pure and bracing as North Atlantic sea spray." Other best selling recordings include "Fit As a Fiddle" and "No Boundaries," which went gold in Canada. "My Roots Are Showing" takes fans back to the traditional Celtic melodies that first enticed the whiz fiddler to pick up the bow. "In My Hands" is her first widely released U.S. album. She has also produced instructional fiddling videos and a CD-Rom.

The performance is the final concerts of the L. Eileen Orser Music Series sponsored by Yellowstone Public Radio and KCTR radio.

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February 6, 2002
Natalie is Entertainer of the Year
by Frank Macdonald - Inverness Oran

Natalie MacMaster is the 2002 Entertainer of the Year. The Troy fiddler was the people's choice in the only fan-based vote for the East Coast Music Awards, and her appreciation was apparent.

"First, I would like to thank Great Big Sea for not being in it," she said, her joke alluding to the fact that the Newfoundland band had held the title of top entertainer for five consecutive years before declining a nomination in 2000. In thanking her band, fans and God, she pointed out that the award is important because she loves to entertain people. "I love entertaining. I love it so much! The music tonight makes me feel so good inside. If I can reciprocate that by playing for you, I'm glad."

Following her presentation, MacMaster told reporters that she had been nominated for Entertainer of the Year seven times. During that time, she accumulated a variety of ECMA pewter notes, but it wasn't until this year that the elusive Entertainer of the Year award joined her growing collection.

Asked what was the highlight of the past year, MacMaster was unable to give a definitive answer. She remarked that her tour with Jesse Cook was certainly important, but so was her tour with the Chieftains and a number of other things that are happening to her professionally. Among those professional accomplishments was a nomination last year for a Grammy Award. Asked by one reporter if the East Coast awards were losing their lustre when she is attracting so much national and international attention, MacMaster was firm in her appreciation of east coast music and its tributes.

"I was just as nervous waiting for this announcement as I was down in Los Angeles waiting for the Grammy announcement," she said.

Reflecting on the changes that have seen the ECMAs grow over the past decade from a ceremony held in a bar to a nationally televised showcase of East Coast talent, MacMaster said that a lot of good things have happened to her over the past eleven years as an east coast musician, leading her to remark, "I love my life."

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February 4, 2002
Big Night For Cape Breton
Stephen Cooke, Halifax Herald

Saint John, N.B. - Cape Breton's reputation as the musical heart of Atlantic Canada was reaffirmed Sunday night as two of its most famous sons, Bruce Guthro and Jimmy Rankin, each won three statuettes at the East Coast Music Awards.

And the coveted entertainer of the year award went to Troy fiddler Natalie MacMaster.

Guthro won male artist of the year, pop artist of the year and album of the year for his self-titled CD. The Sydney Mines singer grinned as he talked backstage at the Harbour Station arena in Saint John.

"I've had a great year so far and it just keeps getting better," he said. "I know some people were thinking 'He's had his turn' after I got five ECMAs in St. John's, but I hope I don't stop getting my turn."

Rankin's hat trick was for country artist of the year and single of the year and SOCAN songwriter of the year for Followed Her Around, co-written with fellow Cape Bretoner Gordie Sampson.

"It's good to be back," said the former Rankin Family member, who thanked his wife Mia, EMI Music Canada and producer Tim Thorney on his first trip to the podium.

"This means a lot since (the CD Song Dog) is my first solo record, but really I was just happy being nominated. Mostly I'm just having a fun weekend, playing a lot and seeing people I haven't seen in a while."

It's the third year in a row that Sampson has picked up the SOCAN award.

Asked when he'd get around to releasing a follow up to his solo debut Stones, Sampson was coy...  "Sometime between now and the Second Coming of our Lord and Saviour Jesus Christ," Sampson said with a laugh.

He's collaborating with Newfoundland divas Kim Stockwood and Damhnait Doyle.

MacMaster, whose entertainer of the year award is the only one selected by the public - was obviously thrilled.

"It doesn't matter who gets chosen for this, whether it's me or the Fables or anybody," said MacMaster, whose win breaks a string of Newfoundland acts picking up the prize, including the Fables and Great Big Sea. "You're chosen because people can tell when you genuinely love making music, they pick up on it . . . and I still love making music."

MacMaster opened up the nationally televised awards show as part of an East Coast supergroup featuring P.E.I.'s Celtitude, Halifax pop band Mir and members of Charlottetown's Jive Kings.

From just across the causeway in Antigonish, first-time nominee fiddler Kendra MacGillivray picked up two awards, for female artist and instrumental artist of the year, for her vibrant playing on the Over the Waves CD.

Halifax-based pop band Crush, signed this week to Warner Music Canada, saw its fortunes rise even further by winning two awards. Led by Newfoundland-born singers Paul Lamb and Cory Tetford, the quartet earned rock group and new artist of the year, putting the icing on the proverbial cake of an eventful week.

"The icing tastes real sweet," Tetford said backstage, smiling as he held up the $5,000 cheque from Galaxie that accompanies the new artist prize.

"Awards are great, but we go back to work on Monday. We're back on the road by Tuesday, but it's a great job."

Another group of Newfoundlanders, the Ennis Sisters, were signed to Warners last year, and the investment paid off with their successful self-titled major label debut and a group of the year award Sunday night.

"The ECMAs was the start of it all in Halifax," said Teresa Ennis, dressed in a red bustier her sister Maureen jokingly referred to as "her Christina Aguilera outfit."

"It was where we were first discovered and it encouraged us to continue making music," added Teresa, referring to the days leading up to the awards show as "just like Christmas Eve."

African Nova Scotian performers had a strong showing at the awards, with Halifax's Hallelujah Praise Choir receiving the gospel artist of the year award, Halifax jazz and gospel singer Linda Carvery getting the nod in the jazz artist category and guitarist Harvey Millar sharing the urban recording award with rapper Shy Luv for their collaboration Hip Bopping.

"I'd like to thank the ECMAs for allowing us to have a voice in the industry," said Millar, who is also a business professor at Saint Mary's University. "Now it's up to record labels to pay attention to what we're doing and help us spread the music across the country."

Other Nova Scotia winners included Cape Breton's Mary Jane Lamond for roots traditional solo artist, Halifax act Sons of Maxwell for roots traditional group and Halifax pop rock bands Sloan for video of the year and the Jimmy Swift Band for alternative artist of the year.

The deeply personal collaboration between Rawlins Cross piper Ian McKinnon, conductor Scott Macmillan and Symphony Nova Scotia - MacKinnon's Brook Suite - was honoured with Classical Recording of the year.

The Eastern Shore's Birchmountain Bluegrass Band won its second straight bluegrass artist of the year award, capping an eventful weekend in which the quintet played for thousands in Market Square and the members' fathers - the Boutilier Brothers - were honoured with Stompin' Tom Awards as East Coast music pioneers.

Birchmountain also performed on the live broadcast, which saw the ECMAs attempt to branch out by featuring a wide range of up-and-coming artists: Halifax rockers Joel Plaskett Emergency and Jimmy Swift Band, Newfoundland's Rasa and Colleen Power and Moncton's Chris Colepaugh and the Cosmic Crew.

Bette MacDonald opened the show dressed in a bathrobe, delivering a saucy monologue that made New Brunswick Premier Bernard Lord blush.

She bemoaned the show's early start time.

"For most of the people backstage, 6 p.m. is the wake-up call," she said. "Actually, the real reason for starting at six is because Sam Sniderman is here and he has to catch the show, have a bath and be in bed by 8:15."

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